Yet, Foster has attempted to \textit{situate} Beijing's Terminal 3 in the urban fabric in which it raises, by blending into the design a number of elements that are typical of traditional Chinese art and architecture. The use of such elements has created a variety of critiques that have analyzed the success (or failure) of the marriage between different architectural styles. The Foster+Partners website\footnote{Ibid, Foster+Partners.}, for example, describes the external edges of the building and the interior palette of red and yellows to be evocative of traditional Chinese temples and colors, respectively. Its golden roof has been noted to `resonate with the Forbidden City'. The triangular shape of the terminals' roof has also been often compared to the shape of a dragon --- a traditional Chinese symbol. But, as Goldberger notes, ``had Foster built the airport in Mexico City, would have he have said that it looked like an iguana?''\cite{newyorker}.